The great draughtsman Alfred Kubin shows us the world in the clutches of evil. The exhibition at the ALBERTINA MODERN presents Kubin’s early creative phase from 1899 to 1904 from the ALBERTINA’s collection of around 1800 drawings. 100 works visualise his dark world, in which evil, the frightening and the gruesome prevail.
Art exhibition
Until September 2, 2024 a set of iconic works from the Pinault Collection will be displayed throughout the Bourse de Commerce. Like a dizzying spiral within which images are generated, talk to one another, and telescope each other, they highlight François Pinault’s passion for, and commitment to, contemporary art.
Vienna, 18 April – The Calle Libre Street Art association, known for its artworks on façades in urban spaces, is surprising us with its latest initiative: the exhibition “Comm:unity – a female street art exhibition” brings street art to the renowned Galerie Hartinger. From 25 April 2024, the gallery will be presenting a diverse selection of works by six talented female artists from the street art scene.
The Beauty of Diversity moves in the field of tension between an established understanding of art and its renewal. The exhibition unfolds its persuasive power in the juxtaposition of renowned artists who have always wanted to strain the canon and yet have become canonised, and new discoveries as well as those who irritate viewing habits, swim against the tide, shake the foundations of high culture, break the norm and thus establish the aesthetics of diversity.
Schloss Hollenegg for Design is pleased to announce its ninth annual design exhibition: WOOD LAND. The exhibition focuses on the forest and its most important resource – wood. The show demonstrates various techniques for processing wood and imparts knowledge about different tree species and wood essences. Each object on display also provides an opportunity to discuss topics such as global warming, forest management and sustainable wood production.
Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” In this art context, the common phrase going dark is understood as a tactic whereby artists visually conceal the body to explore a key tension in contemporary society: the desire to be seen and the desire to be hidden from sight.
For over 50 years, artist Philip Guston restlessly made paintings and drawings that captured the anxious and turbulent world he was witnessing.
On the occasion of Gottfried Helnwein’s 75th birthday, the ALBERTINA presents a comprehensive exhibition of his works from the last three decades. In each of his paintings, Helnwein, the artist born in Vienna in 1948, raises an indictment against cruelty and ruthlessness as well as the horrors of fascism.
From the roots of a majestic Amazonian tree to the cells inside our bodies and the galaxies above, everything is connected. London-based experimental art collective Marshmallow Laser Feast (MLF) will illuminate these hidden connections beyond our everyday perception, in a world premiere exhibition at ACMI this summer, from 23 November 2023 – 14 April 2024.
ALBERTINA MODERN’s major fall exhibition is dedicated to outstanding artists from both countries. However, it does not focus on the long history that connects us, but allows important collection positions of the ALBERTINA to enter into an exciting dialogue in a direct juxtaposition – for example Maria Lassnig with Georg Baselitz, Arnulf Rainer with Gerhard Richter, Franz West with Sigmar Polke.
An art exhibition featuring works by seven artists from all over the world. They contribute to the expansion of abstract painting while maintaining a connection to landscapes through approximations, colors, mental topographies, and tech revolutions. Now to see at Gallery Drei, Cologne…
This presentation is dedicated to Georg Baselitz (*1938) and his generous decision to donate 100 of his own outstanding and pioneering works on paper to the ALBERTINA Museum and the Morgan Library, from which he invited the two museums to choose 50 each for their collections.